Tuesday, October 12, 2010

S68pxmtm-1094 Wiring Schematics

The limited edition 2010 is finished! and soon empty again


ENJOY JAZZ / /
2:10:10 to 19:11:10

Mannheim / Heidelberg / Ludwigshafen


http://www.enjoyjazz.de/


Bibi Tanga & the Selenites
31.10.10 / / inlet 19 Clock / Clock beginning 20
BASF community center

Some music can be heard on the biography of its maker: called at Bien Venue "Bibi" Tanga you feel that because one has traveled widely in France, Belgium, Germany, Russia and the U.S. were the earlier life stages the diplomat's son, whose family originates from central Africa and has eventually settled in Paris. His musical system therefore knows no limits. "I love disco, funk, soul, reggae and R & B," Bibi Tanga has once said. "This is everything to me like a giant library, from which I can handle myself. All this is like a legacy of black music from around the world - and I am his heir. "He has not knocked out, how on his third book" can hear Dunya ", the same as" existence is ". Together with his well-rehearsed band The selenite and his fellow Le Professeur Inlassable who holds a chair in Soundbricolage, he celebrates the marriage of Afro-futurist funk rhythms with swinging soul. As ambassadors of funk now he travels the world again - and is at home everywhere.


FOOD / Nils Petter Molvaer

11:11:10
/ / inlet 19 Clock / Clock begins 20 Old Fire Station, Mannheim
VVK € 23 excl fees / box office 28 €

With their sixth album, "Quiet Inlet" are now also on ECM food arrived - and enforce the electronic fraction by Jon Hassell and Arve Henriksen. That, with food a little longer took - the albums 1-5 appeared on "Feral Records" and "Rune Grammophon" - is somewhat surprising, after all food sound with Ballamys lyrical-carried sound before Strønen wasteful of extensive range of percussive interventions just as it is an ideal ECM album in the year 2010 presents concerning the sound: modern, but also accessible and not to beat-oriented (In game, may also Ballamys Jan Garbarek fans feel at home). Early in her career were indeed food once a quartet with Mats Eilertsen on bass and Arve Henriksen on trumpet. Maybe the sound pieces, which today participates Nils Petter Molvaer, so familiar to the old food, and generally very self-sufficient and capturing much of the magic and the dynamic possibilities of live sampling. The aesthetic variance of food seem currently no limits: Some tracks develop a very amazing drive, and others may appear almost as a sacred exploration of silence.



Crispell, Dizzner, Gramss

14:11:10 / / inlet 19 Clock / Clock begins 20
Old Fire Station, Mannheim VVK € 13 plus fees / AK 16 €
Last Year of enterprising drummer Erwin Ditzner presented as part of Enjoy Jazz duo project with his current Lömsch Lehmann, supplemented and extended by Jo Bartmes on the Hammond. This year, Ditzner has again come up with something very special. Together with his old and no less busy driving Gramss, Sebastian, whom you not only as a bass player but also as arranger and co-founder of the terrific band Spielwütigen Underkarl praise is never tired, he asked the Grande Dame of free improvising piano avant-garde. Amazingly quick hit from the tranquil Woodstock (USA) as a surprisingly enthusiastic response: Marilyn Crispell, whose distinctive lyricism of Anthony Braxton has been moved once decided in the near Cecil Taylor, can be one of the risk of this very special evening. Anthony Braxton, Erwin Ditzner, Under Karl - on this evening include all sorts of circles over the years consistently and carefully pursued policy program of the festival. Last but not least also the spectacular ECM-emphasis of the program of 2009, because Marilyn Crispell with David Rothenberg, one of the outstanding Albums of the year has presented: "One Dark Night I Left My Silent House" on the ECM.

Herbie Hancock
18:11:10 / / inlet 19 Clock / Clock begins 20
Stadthalle, Heidelberg
VVK € 59/52/36/29/23/18 RNG. Born
AK 66/59/41/33/26/22 €

Use it or lose it! In April 2010, celebrated his 70th Herbie Hancock Birthday. say "So what?" he will continue to forge and ambitious projects. Artistic recognition and commercial success went to Hancock for "Watermelon Man" (1960) playing hand in hand on the side of Miles Davis, with his own fusion bands and hip-hop experiments like "Rockit". Hancock last album releases and live presence has radically decoupled. Ambitious albums such as "Possibilities" and "River: The Joni Letters" stand alone, while Hancock presents live young talent and uses elements of its rich past. The recording of "The Imagine Project" - his optimistic vision of globalization - gathered in studios on four continents, more than a dozen superstars from different cultures, by Chaka Khan on The Chieftains to Oumou Sangare. Of course, it is such a logistical tour de force live not reproduce, but therein lies the charm of a free spirit like Herbie Hancock. He was concerned about a gesture of openness, tolerance and curiosity. "I'm rooted in jazz, but I feel the same degree in pop, R & B, folk and hip-hop to home," he said in an interview.

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